Analysis of Shift in the Form of Modalities

Oct 13, 2025 by wbrum.org 22 views

Shift in the Form of Modalities in the Film The Raid: A Linguistic Analysis

Introduction

The film "The Raid" is a highly acclaimed action movie that has captivated audiences worldwide with its intense dialogue and tense action scenes. However, behind the scenes, the film holds interesting secrets that are worth exploring. This study delves into the world of language in the film, focusing on the analysis of modality, which refers to how utterances in the film reveal the level of certainty, obligations, and tendencies. Specifically, this study explores the changes in the forms of modalities that occur between the original dialogue in Indonesian (BSU) and the English Subtitles (BSA) in the film "The Raid".

Methodology

This study uses descriptive qualitative methods to analyze 978 utterances consisting of dialogue and subtitles in the film "The Raid". The data was analyzed based on the theory of LFS Halliday, Catford, and Newmark, with a focus on two categories of modality: Modalization (probability and frequency) and modulation (necessity and tendency). The analysis then identifies the shift in the form of modalities that occur, including:

Level Shifts

Language level shift: For example, from declarative to imperative sentences.
Category Shifts: Which is divided into:
- Structure Shifts: Shift in sentence structure, for example, from active to passive sentences.
- Shifts Unit: Language unit shift, for example, from phrase to clause.
- Class Shifts: Shifting Class Class, for example, from nouns to verbs.
- Intra-SYSTEM SHIFTS: Shifts in the same language system, for example, the use of different people's pronouns.

Results

The results of the analysis showed that of 238 utterances containing elements of modality, modalities * modalization * more dominant (55.5%) than * modulation * (44.5%). This shows that in the film "The Raid", characters more often use language that expresses certainty or possibility compared to obligations or tendencies.

Analysis of Shift in the Form of Modalities

Analysis of the shift in the form of modalities shows that Intra-System Shifts is the most dominant type of shift (61.8%), followed by Shifts units (18%), Structure Shifts (11.8 %), Level Shifts (8.4%), and Class Shifts (0%). This shows that the shift in the form of modalities in the film "The Raid" is more common in the same language system, such as changes in pronouns or the use of different phrases.

Factors Contributing to Shift in the Form of Modalities

The main factor that causes a shift in the form of modalities in the film "The Raid" is an intrinsic factor. That is, these changes occur because of adjusting grammar and grammatical structure of each language to produce text that is in accordance with the style of language and the context of BSA culture. This shift can be interpreted as an effort to maintain the smoothness and clarity of messages conveyed in the English subtitles, although sometimes change the original meaning or nuance of dialogue in Indonesian.

Conclusion

This study provides interesting insight into how the language in the film "The Raid" functions in transmitting messages and building characters. The shift in the form of modalities, especially Intra-System Shifts, reveals how language adjustments are carried out to achieve communicative goals in the context of cross-cultural. This analysis also shows the importance of paying attention to linguistic aspects in understanding films, especially in interpreting the nuances and implicit messages behind dialogue.

Implications

The findings of this study have implications for the field of linguistics, particularly in the analysis of modality in film dialogue. The study highlights the importance of considering the linguistic aspects of film dialogue in understanding the messages and characters conveyed in the film. Additionally, the study suggests that the shift in the form of modalities in the film "The Raid" is a result of adjusting grammar and grammatical structure to produce text that is in accordance with the style of language and the context of BSA culture.

Future Research Directions

Future research directions include:

Analyzing the shift in the form of modalities in other films, particularly those with different cultural and linguistic contexts.
Investigating the impact of modality on the interpretation of film dialogue and the construction of characters.
Examining the role of modality in cross-cultural communication and its implications for language teaching and learning.

References

Halliday, M. A. K. (1973). Explorations in the functions of language. London: Edward Arnold.
Catford, J. C. (1965). A linguistic theory of translation. London: Oxford University Press.
Newmark, P. (1988). A textbook of translation. New York: Prentice Hall.

Note: The references provided are a selection of the relevant literature in the field of linguistics and translation studies. A more comprehensive list of references can be found in the appendix of the study.
Q&A: Shift in the Form of Modalities in the Film The Raid

Introduction

The film "The Raid" is a highly acclaimed action movie that has captivated audiences worldwide with its intense dialogue and tense action scenes. However, behind the scenes, the film holds interesting secrets that are worth exploring. This Q&A article delves into the world of language in the film, focusing on the analysis of modality, which refers to how utterances in the film reveal the level of certainty, obligations, and tendencies. Specifically, this Q&A article explores the changes in the forms of modalities that occur between the original dialogue in Indonesian (BSU) and the English Subtitles (BSA) in the film "The Raid".

Q1: What is modality in the context of film dialogue?

A1: Modality refers to how utterances in the film reveal the level of certainty, obligations, and tendencies. It is a linguistic concept that helps us understand how language is used to convey meaning and create relationships between characters.

Q2: What are the two categories of modality analyzed in this study?

A2: The two categories of modality analyzed in this study are Modalization (probability and frequency) and modulation (necessity and tendency). These categories help us understand how language is used to express certainty, possibility, obligations, and tendencies.

Q3: What are the main findings of this study?

A3: The main findings of this study are that modalities * modalization * are more dominant (55.5%) than * modulation * (44.5%) in the film "The Raid". Additionally, the study found that Intra-System Shifts is the most dominant type of shift (61.8%), followed by Shifts units (18%), Structure Shifts (11.8 %), Level Shifts (8.4%), and Class Shifts (0%).

Q4: What are the implications of this study for the field of linguistics?

A4: The findings of this study have implications for the field of linguistics, particularly in the analysis of modality in film dialogue. The study highlights the importance of considering the linguistic aspects of film dialogue in understanding the messages and characters conveyed in the film.

Q5: What are the future research directions for this study?

A5: Future research directions include analyzing the shift in the form of modalities in other films, particularly those with different cultural and linguistic contexts. Additionally, the study suggests investigating the impact of modality on the interpretation of film dialogue and the construction of characters.

Q6: What are the limitations of this study?

A6: The limitations of this study include the focus on a single film and the use of a small sample size. Future studies should aim to analyze a larger sample size and include multiple films to provide a more comprehensive understanding of the shift in the form of modalities in film dialogue.

Q7: What are the practical applications of this study?

A7: The practical applications of this study include the development of more effective language teaching and learning methods that take into account the linguistic aspects of film dialogue. Additionally, the study suggests that the findings can be used to improve the quality of film subtitles and translations.

Q8: What are the implications of this study for the film industry?

A8: The findings of this study have implications for the film industry, particularly in the area of film localization and translation. The study suggests that the shift in the form of modalities in film dialogue can be used to improve the quality of film subtitles and translations, which can enhance the viewing experience for audiences worldwide.

Q9: What are the future research directions for the film industry?

A9: Future research directions for the film industry include analyzing the shift in the form of modalities in other films, particularly those with different cultural and linguistic contexts. Additionally, the study suggests investigating the impact of modality on the interpretation of film dialogue and the construction of characters.

Q10: What are the final thoughts on this study?

A10: The findings of this study provide a new perspective on the linguistic aspects of film dialogue and highlight the importance of considering the shift in the form of modalities in film dialogue. The study suggests that the findings can be used to improve the quality of film subtitles and translations, which can enhance the viewing experience for audiences worldwide.